Diane Harries, Artist Books
Recently on show in Pataka, Porirua; Aratoi, Masterton; Sarjeant, Whanganui; and Waikato Museum, Hamilton in May 2018.
Title of work and year: Distant Memory, 2017
Media/materials used: Linocut and collagraph prints, embossing on paper, Acrolin hinges, metal studs, wooden pages and base, LED light, switch and battery unit.
Woodwork credits to Royce Johnson.
Dimensions: 800 mm high and 300 mm diameter
Description: Artist book, shaped as a lighthouse, with six wooden pages holding linocut prints, mounted on a wooden plinth.
Artist Statement: I am intrigued by the idea of “home” while undertaking a long journey of adventure in foreign parts; “home” becomes a memory you take with you, of a safe haven that now seems very distant, and a little unreal.
In Medieval times, travel was a risky journey into little-known territory, where there were unimagined wonders and perils. Mapmakers in 1400 guessed at those marvels. At that time, the lighthouse functioned as a beacon to guide sailors home to port. I use it as a symbol of homecoming and safety.
Pushing through the rushes, 2016
Scroll artist book in cylindrical, side-opening box, Japanese stab binding with flax leaves and tissue pages, linocut prints, woodgrain, stencils.
After assisting DOC workers with a scientific orchid monitoring project in Ihupuku Swamp near Waverley, I became intrigued with the process of pushing through the swamp plants to find and count the tiny Pterostylis micromega plants growing in the soggy thicket. Counting each life stage, rosette, bud, flower, and seed provided tallies for each quadrant marked out in the swamp. “Getting your eye in” was learning to be able to see certain leaves amongst the press of foliage, especially the rushes. Leafing through the translucent pages of the book echoes catching a glimpse of something and not being sure until the next curtain is pushed aside to reveal the treasure. Pterostylis banksii flowers in the book add to the story because they are so common and easy to find in dry bushland. The pollen grains are not readily seen at all.
Camino Santiago de Compostela 2015
Artist book, pencil drawings, Solander presentation box with scallop shell pilgrim emblem.
The pilgrimage route across Spain has been followed by pilgrims for over a thousand years. As a contemporary artist walking this trail, I aimed to engage with the medieval artists who worked during the Romanesque era. Inspired by their medieval motifs, I gathered drawings in a special lightweight handmade book that travelled with me along the 800 kilometre walk, until the 160 flax paper pages were filled.
Growing By My Footsteps, 2017
Basic crossed structure binding in leather with second style stitching; with pages made of topographical maps and drawings of the plants observed in those locations.
Hidden in Plain Sight: Collaborative Book Project with Julz Coffey
Secret Belgian Binding with content in collaboration with Julz Coffey, printmaking, stitching, drawing, multi-media
15th Century Turkish Ottoman Bird Palaces
Flexi-spine binding with ink drawings on wallpaper
Under Cover of Darkness: Nocturnal New Zealand, 2017
Flexi-spine binding with an exploration of black paper and the world of night-time
The Beauty That Betrays: Travellers to Bastia Hill, 2017
Soft cover long stitch binding. Nature journal depicting the exotic weeds of Bastia Hill, with photos, drawings, botanical notes, microscopic photos and drawings, cyanotypes, indexed.
Journey One, Patagonia, 2015
Miniature artist book, pencil drawings, ink handwriting.
This diary of Patagonia is a handmade book taken with me on my 5 week journey. Each day I drew a tiny pencil line image of something I saw that moved me, and also wrote of my thoughts at that time. Worded in a general way, these comments are intended to be thought-provoking triggers that take the reader somewhere into their own memories, creating new meaning as the book is read.
48 Slices of Literature, 2017
Basic crossed structure book working on the "sliced" concept of the quotations taken from 48 books, from that page of that book.
Pompallier Project 2013
Triptych and double concertina books based on the history of the Pompallier Catholic Mission in Russell while Maori Wars raged overhead.
African Art: Minkisi 2012
Artist book, flax skewer spine, flax cover, feathers, hair, raffia; Conte crayon drawings of African statues and masks
Being interested in the intuitive spirit that manifests itself in artworks, I became immediately fascinated by Desmond Bovey’s collection of African art pieces. Exploring a culture that differs from ours helps to put our own in a closer perspective. My response to their other-worldly characters is to honour their drawings with their own woven stockade in book form, protected with the tufts of my hair and with feathers crowning the palisade.
Flax Paper Series 2012
French Door structure for a case-bound book-block with two spines and overlapping pages; hand-made papers with woodcut prints and drypoint etchings; going tramping in the forest and pushing through the 'leaves' to find the treasure.
An ABC book, but in Te Reo Maori, so it becomes AEH; natural history specimens drawn on the flax pages; woodcuts.
Star Book with Slip Case
Drypoint etchings of natural specimens in layered pages with bark binding and frayed twine fibres; slip case with flax paper and bark panels.